[ Which is ironic, given what he's been up to for the past few months, but whatever. Heine has other things to do. Taking the headphones, he sits in the other chair and starts to play the tracks in the editing software.
As demos, they still need more work. But like he thought before, Eames has the creative spark and artistic voice that shines through. He listens to one of the tracks about halfway through before stopping and saying anything.
Talking about the music is easy. This kind of conversation is work, and work has never been emotional for him. ]
This sound is new. What's the sequence you're using in the bridge, a two-four-five?
[ It's good. Heine starts to continue playing it, holding the headphones to one ear. ]
no subject
[ Which is ironic, given what he's been up to for the past few months, but whatever. Heine has other things to do. Taking the headphones, he sits in the other chair and starts to play the tracks in the editing software.
As demos, they still need more work. But like he thought before, Eames has the creative spark and artistic voice that shines through. He listens to one of the tracks about halfway through before stopping and saying anything.
Talking about the music is easy. This kind of conversation is work, and work has never been emotional for him. ]
This sound is new. What's the sequence you're using in the bridge, a two-four-five?
[ It's good. Heine starts to continue playing it, holding the headphones to one ear. ]